Fabulous Fakes Gallery
This is our first exhibit of members' interpretations of famous artists' work, Old Masters and/or work of contemporary artists. What you see below are the little thumbnails of the images. Click on any of them to open the larger version so that you can see the artist and the member's interpretation.
The image on your left will be the artist's work that was copied and on the right our member's interpretation. To express your vote, just click on the little Facebook "Like" button.
-
Jill Vondervor-Frank's interpretation of Camille Pissarro's "Hermitage At Pontoise"
-
Ivone Martins' interpretation of a "Bessie Pease Gutmann"
-
Audrey Bartner's interpretation of a Slawa Prishedko
-
Marian Jones's interpretation of Picasso's "On The Beach"
-
Jerily DeWorken's interpretation of John Pike's "Beached Derelicts"
-
Sandra McTernan's interpretation of the "Mona Lisa" on yupo paper
-
Verda Bascom's interpretation of a Gustav Klimt
-
Connie Halliwell's interpretation of Edward Hopper's "Cape Cod Morning"
-
Anna Macaluso's interpretation of an Anton Pieck
-
Nancy Robinson's interpretation of Sargent's "Rialto Bridge"
-
Carolyn Hartley's interpretation of Georgia O'Keeffe's "Red Poppy"
-
Joan Donnelly's interpretation of Monet's "Effect of Snow"
-
Catherine Ryan's interpretation of Morgan Russell's "Three Apples
-
Medy Bozkurtian's interpretation of Sargent's "Girl In Pink Dress"
-
Jill Crouch's interpretation of Vidan's "Girl on Couch'
-
Mark de Mos' interpretation of Sorolla's "Fisherman"
-
Maureen Kahrar's interpretation of a Robert Henri
-
Debbie Tintle's interpretation of Winslow Homer's "The Adirondack Guide"
-
John Wolff's interpretation of Winslow Homer's 'Salt Kettle'